Metalwork Monday: Zarra Necklace

A new season brings new trends and new styles. Recently, one of my co-workers came in sporting a fabulous necklace with two types of chain and some metal discs. After staring at here several times through the day, I asked if I could design a piece based on it. She said that I could as long as I named it for her-hence the "Zarra"!

I started with two small copper discs, a larger disc, a copper washer of the same diameter and two different types of chain.

I ran all the pieces through the rolling mill and gave them a dunk in liver of sulfur. I domed the washer to make a locket style pendant. I punched teo holes in each of the smaller discs so I could add chain on both sides. 

I added the smaller chain on the same side as the smaller discs and assembled the pendant at the bottom. The texture of the backing piece shows through the washer. The texture is different on each piece and I love how it all came together. I am ready to rock all my fall fashions.

Metalwork Monday: Leather and Metal Wrap Bracelet

So, I may not be the trendiest gal on the block, but I do make an effort. This fall's trends include large statement jewelry but I am a tad petite for a big necklace. An interesting bracelet can dress up any kind of outfit and it is less intrusive than someone trying to read your chest.

I started with a leather band with snaps already in place and a copper ID bracelet plaque.

After stamping the phrase (I'll admit that the "e" is a little close to the edge, I added a few embellishments. I decided that it needed a little something more.

I added a layer of forest green alcohol ink. I am really happy with how it brought out the lettering.

To finish the piece off, I attached the plaque to the leather with brass eyelets and little copper accent stars. I am overall very pleased with the effect and I am excited to rock this trend throughout the fall and winter!

Metalwork Monday: Cider Vinegar and Sea Salt Patina

At the very heart of my crafty universe is metalwork. I am always

trying to learn new techniques and love to experiment. 

Giving metal new colors and textures is one of my favorite things.

I brewed up a batch of patina solution with items from pantry and 

absolutely love they look that they produced.

Metalwork Monday: Wibbly Wobbly Doctor Who Earrings

Okay, so it's out there. I am a geek of the highest order. 
I went to RIT (nerd central), I direct Shakespeare, I have my own Sonic Screwdriver.
True story.


This week is dedicated to my biggest nerd obsession: Doctor Who.
You're welcome.

I chose two types of washers, brass and copper. I also
chose two different fonts and two different
treatments.

After stamping, I painted alcohol ink onto "wibbly wobbly"
and liver of sulfur gel onto "timey wimey."

I used the dremel to sand of most of the ink and age the brass.
I brushed on the patina gel to make the copper look older.

Unfortunately, they don't go "ding" when there's stuff.

Metal Work Monday: Riveted Bird Cuff

So, another admission: I love Portlandia. Maybe a little too much...but when I was planning a theme for one of the busiest weeks of my year, they inspired me: birds. Yay! Bring on those chirpers and put a bird on it!


I had a challenging time with this first project. Initially, I was just going to connect separate pieces of metal with jump rings but that can be insecure. Then, I was going to re-purpose one of the straps of an old leather backpack. Nope-too thick for the snap or rivets. Okay, then I will try some thinner faux leather. The snap went on fine, but the rivets ripped right out. I had already done a cuff with pieces riveted to it, but thought that if I swapped the materials and did a few different techniques than the lace cuff that it would be okay. I have to say that I am pretty pleased. 

The embossing die that I used on several smallish pieces of aluminum.

I decided to use half with the embossing face up and half with
it face down. I then painted over all the pieces with an alcohol
dye for metals. I sanded over all with the sanding wheel
of my dremel. Not only did is strip off some dye, I gave the
pieces yet another texture.

I cut a six-inch long strip of 20 gauge copper.

After rounding the corners and sanding the edges, I decided
to texture the entire piece with my chasing hammer.
This was the longest, most tiring part of the process.

I applied a thin layer of liver of sulfur patina gel to it
 (after hammering) with a flux brush.

I am super-pleased with the base.

I added the aluminum bird plaques with rivets.
I used a combo of silver and copper.

I added four--two of each type to the center plaque and
then alternated in both color and layout.

I like the combination of both substantial and dainty.

Metalwork Monday: Folded Flower Pendant

Being sick has one or two tiny advantages. Instead of roaming around spreading the plague, I have been able to do lots of designing and some creation between meds, tissues, and tea. Yay!


I spent time this week experimenting with new techniques and tools and am pleased with what I have learned. Stay tuned for future posts featuring these great new design elements! 


One of the simplest new techniques that I tested was folding my flowers rather than dapping or doming them. It needs a little refinement, but am happy with my first attempt!

I folded and curved a nickel and copper flower blank and
riveted them to a brass filigree flower to create the pendant.

The tools: blanks and filigree, hole punch, design stamps,'
round nose and chain nose pliers, rivet/riveting tool, hammer,
bench block, marker, liver of sulfur.

I drew a large asterisk on each flower. It is a little
messy, but they will buff out when I polish them.

I punched a hole in the center of each and stamped
the edges of each flower.

I used my chain nose pliers and folded each flower by
placing my pliers on the marker lines and bending
the flower towards the pliers with my fingers.
After I bent the flowers all the way around, I used the round
nose pliers to curl the ends of all the petals.
Because the hole in the filigree is larger, I also punched
a hole in a small copper blank to hold the rivet on.

I layered the 4 pieces and attached all three with an eyelet.
It is ready for a jump ring and chain!

Metalwork Monday: Lace-etched bangle bracelet

I have an admission to make. I have an addiction to vintage sewing supplies--kitschy fabrics, retro trims, and most of all; lace. My lace collection is embarrassingly large. My favorites are hand-crocheted or tatted, but I also have two boxes full of bolts of lace, both old and new.


Hence, lace week. 


Metal etching is the trend of the moment in Funky Monkey Studio and I have just learned to print with lace (check back tomorrow for that tutorial), so I combined them into a great new design. So exciting!

Lace-etched copper plaques riveted onto a bangle with a
lace overlay.

Using block-printing ink, a brayer, and a piece of lace, I applied a
resist to the plaques. I etched more pieces than I thought I
would use so I could choose the best etchings. Before I printed the copper,'
I mounted them to the sticky side of packing tape to prepare them
for the acid bath. More details on lace/ink printing in tomorrow's post.

The plaques spent 30 minutes in the ferric chloride bath.
I use recycled take-out container for the bath. The tape on the edges
of the bowl suspends the metal just barely in the acid.

After coming out of the bath and having a quick rinse, you can see the
lace pattern. I polished the pieces, used the Dremel to round the corners,
and oxidized them in liver of sulfur.

Using my French Shears, I cut the bangle blank. I used the
Dremel to round the corners and texture the piece.
I used the sanding block to smooth the edges.

I added a piece of lace over the bangle blank and used my
riveting/eyelet tool to attach it. I then added the
copper plaques and attached them with copper rivets.
The lace is attached with four brass eyelets.
Before forming the curve, I stained the lace with strong tea
brushed over it with a flux brush. I did four coats of tea to
get the shade I wanted.

Formed and ready to wear. I used both the bracelet mandrel
and the bracelet-bending pliers to achieve the  finished
fit and look.

How Tuesday: Commitment Phobia

My hands are sore. Like, hurt to bend my fingers sore. My arm is tired from lifting my hammer. It is like a good workout...it is a good kind of sore. I am back in the saddle, although it has taken me a few tries each day to really get into the groove. 


Nothing, though, is permanent. I may be able to stay on the the streak and make new pieces everyday. I got a fun new tool today that will pique my interest for the immediate future. I may not though. Nothing is permanent. Okay, maybe one thing is... tattoos. Lots of my friends sport a little ink. I would, but I am not a fan of pain...or very confident about how it would age. 


I figured if I wasn't going to get one myself, I would make one. Inspired by vintage motifs, it is a tiny piece of nostalgia around your neck. I come from a line of sailors, so it seemed appropriate.

Inspired by my grandparents. My grandpa was in the Navy and
I regret never seeing his actual dog tags.
The piece is an aluminum dog tag, a copper banner, and copper rivets.

This piece is a copper heart, brass banner, and vintage chain.

First, I stamped the words onto the banner. I used a
pre-cut banner piece, but you could cut your own.
I started from the center of the piece and stamped out from there
to keep the phrase centered. 

I used my chasing hammer to deckle the edges and then
used my round nose pliers to give the banner movement.

After a dip in the liver of sulfur bath.

I used my Crafted Finding rivet tool to attach the two pieces.
I added a vintage heart charm that also reminded me of an
old-school tattoo.

The rivets from the back. Check out the finished piece at
the top of this tutorial.

Metalwork Monday: Hammer Therapy

Sometimes, when you are having a rough time, it is difficult to recall why you like doing the things you do. Is it habit? Is it boredom? Or do they really still give us joy?


After the week I had been having, I doubted this morning that I would be be very productive. Heavy thoughts are still troubling me and focus has been tough to come by, but I took a couple of days off specifically to make things. So today, I put the pigtails back in and went into the jewelry studio. I had been avoiding it, primarily because since the turn of the year, business has been slow dead.  I had been spending many hours, designing and creating, but to what end? No one was buying.


I committed to posting a new metal working project every Monday, so I had to at least make one piece. But I also had a bunch of pieces that I had etched last week that needed to be made into something. Hmmm...I had to chose between the disappointment of not selling my work and the thrill of designing something totally new. Granted, if I made something truly stellar, I might sell it. Hmmm...


In the end, being creative won. I was able to make multiple pieces and I am very happy with them. I will list them in my shop later. Plus I have several more pieces to put together tomorrow. Additionally I worked on 5 other blog projects and will begin work on my sampler tonight. As a very wise man once said, hard work is its own reward.